Now Live: 48-Hour Express Turnaround for Wedding Highlight Reels

We now offer a 48-hour express turnaround on wedding highlight reels, for studios that need a fast-turnaround edit without dropping the quality of the final cut.

Who this is for

Same-day edits for reception screenings, a highlight reel needed for a client’s anniversary deadline, or simply a studio catching up after a busy wedding weekend — the 48-hour option is built for situations where the standard turnaround window is too slow, not for every project by default.

What stays the same

Express turnaround does not mean a stripped-down edit. You still get color grading, sound design, and a structured review round — we simply prioritize the project and compress our internal scheduling to hit the 48-hour window from the time we receive your footage.

How to request it

Express turnaround is arranged per project, not a default setting, since it depends on our current workload and your footage volume. If you have a wedding highlight that needs to move fast, reach out with your deadline and we will confirm whether the 48-hour window is available for it.

Frequently asked questions

Does 48-hour turnaround cost extra?

Yes, express requests are priced separately from our standard turnaround since they require reprioritizing our editing schedule. Ask for a quote when you get in touch with your deadline.

Is 48-hour turnaround available for full wedding films, or only highlights?

It is currently offered for highlight reels. Full wedding films involve more footage and review rounds, so they follow our standard turnaround — contact us to discuss your specific timeline.

What do I need to send to start a 48-hour edit?

Your raw footage and any music or pacing preferences upfront. The clock starts once we have what we need, so getting everything to us in one batch is what actually keeps it to 48 hours.

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Why we added this

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Wedding season does not spread out evenly. Studios often need a highlight ready within a couple of days — for a reception screening the same weekend, or a client who wants something to share before the full film is done. Rather than making every studio wait behind a single standard queue, we built a dedicated fast-track lane so a normal-priority project is not slowed down by an urgent one, and an urgent one does not have to wait its turn either.